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Thursday, April 19, 2012

Bob Marley - Redemption Song - HD

Redemption Song from ne033x on Vimeo.



"Redemption Song" is a song by Bob Marley. It is the final track on Bob Marley & the Wailers' ninth album, Uprising, produced by Chris Blackwell and released by Island Records. The song is considered one of Marley's seminal works, with some key lyrics derived from a speech given by the Pan-Africanist orator Marcus Garvey.

At the time he wrote the song, circa 1979, Bob Marley had been diagnosed with the cancer that later was to take his life. According to Rita Marley, "he was already secretly in a lot of pain and dealt with his own mortality, a feature that is clearly apparent in the album, particularly in this song".

Unlike most of Bob Marley's tracks, it is strictly a solo acoustic recording, consisting of Marley singing and playing an acoustic guitar, without accompaniment. In subsequent live performances, however, a full band was used. A full band rendition of "Redemption Song" was made available as a bonus track on the 2001 reissue of Uprising, as well as featuring on the 2001 compilation One Love: The Very Best of Bob Marley & the Wailers. However, the solo performance remains the take most familiar to listeners.

In 2004, Rolling Stone placed the song at #66 among The 500 Greatest Songs of All Time. In 2010, the New Statesman listed it as one of the Top 20 Political Songs.

The song urges listeners to "Emancipate yourself from mental slavery," because "None but ourselves can free our minds". These lines were taken from a speech given by Marcus Garvey in Nova Scotia during October 1937 and published in his Black Man magazine: We are going to emancipate ourselves from mental slavery because whilst others might free the body, none but ourselves can free the mind. Mind is your only ruler, sovereign. The man who is not able to develop and use his mind is bound to be the slave of the other man who uses his mind ...

In 2009, Jamaican poet and broadcaster Mutabaruka chose "Redemption Song" as the most influential recording in Jamaican music history.

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