Poison - Something To Believe In (historical photos slideshow) HD

"Something to Believe In" is a power ballad by American Glam metal band Poison, it's the 2nd single from their 1990 album Flesh & Blood. "Something to Believe In" was also released on the Best of Ballads & Blues album in 2003, with alternate lyrics.

The song peaked at number 4 in the US Billboard Hot 100, number 5 on the Mainstream rock charts, number 35 in the UK and #44 on the Australian charts.

This song was dedicated to James Kimo Maano, a security guard and best friend of Bret Michaels who had died some time earlier.

The cover art for the single depicts a tattoo on Bret Michaels's arm of a cross with the words "Something to Believe In". Unfortunately, the tattoo artist, according to Michaels, had been drinking and spelled "believe" incorrectly putting the "e" before the "i". It was attempted to be corrected by adding a rose to the cross that covered the misspelling, but Michaels was never satisfied with the results. In the first season of the reality show Rock of Love, Michaels goes to a tattoo shop where the tattoo artist properly touches up the tattoo.

Some Pop Music For A Pop Saturday

Van Morrison - Real Real Gone (sailing slideshow) HD

Van Morrison, OBE ; 31 August 1945) is a Northern Irish singer-songwriter and musician. His live performances at their best are regarded as transcendental and inspired; while some of his recordings, such as the studio albums Astral Weeks and Moondance, and the live album It's Too Late to Stop Now, are widely viewed as among the greatest ever made.

Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. After Berns' death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks in 1968. Even though this album would gradually garner high praise, it was initially poorly received; however, the next one, Moondance, established Morrison as a major artist, and throughout the 1970s he built on his reputation with a series of critically acclaimed albums and live performances. Morrison continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains. In 2008 he performed Astral Weeks live for the first time since 1968.

Much of Morrison's music is structured around the conventions of soul music and R&B, such as the popular singles "Brown Eyed Girl", "Jackie Wilson Said (I'm in Heaven When You Smile)", "Domino" and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as Astral Weeks and lesser-known works such as Veedon Fleece and Common One. The two strains together are sometimes referred to as "Celtic Soul".

Morrison has received considerable acclaim, including six Grammy Awards, being inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, and appearing on several "Greatest Artists" lists.

What We Are Listening To Today

Patsy Cline - Why Can't He Be You (pinup girl slideshow) HD

Patsy Cline (September 8, 1932 -- March 5, 1963), born Virginia Patterson Hensley in Gore, Virginia, was an American country music singer who was successful in pop music crossovers during the early 1960s era of the Nashville Sound. Prior to her death at the age of 30 in a private plane crash, she was at the height of her career. She is considered to be one of the most influential, successful, and acclaimed female vocalists of the 20th century.

Cline was best known for her rich tone, emotionally expressive and bold contralto voice, and her role as a pioneer in the country music industry. She helped pave the way for headlining women in country music. Prior to the early 1960's, so-called "girl singers" were seen by the male-dominated realm of country music as mere "window dressing", only necessary to attract male listeners to their shows. Cline's rise to popularity changed that, and she has been cited as an inspiration by singers in several music genres.[citation needed] There are books, movies, documentaries, articles and stage plays documenting her life and career.

Some of the more notable big hits she had during her lifetime began in 1957 with Donn Hecht's "Walkin' After Midnight", Harlan Howard's "I Fall to Pieces", Hank Cochran's "She's Got You", Willie Nelson's "Crazy", and ended in 1963 with Don Gibson's "Sweet Dreams".

Posthumously, millions of her records were sold over a 50-year span. As a result, she has been given numerous awards and accolades, leading some fans to view her as an icon similar to legends such as Johnny Cash and Elvis Presley. Ten years after her death, in 1973, she became the first female solo artist inducted to the Country Music Hall of Fame. In 1999, she was voted number 11 on VH1's special, The 100 Greatest Women in Rock and Roll, by members and artists of the rock industry. In 2002, artists and members of the country music industry voted her as Number One on CMT's The 40 Greatest Women of Country Music and ranked 46th in the "100 Greatest Singers of All Time" issue of Rolling Stone magazine. According to her 1973 Country Music Hall of Fame plaque, "Her heritage of timeless recordings is testimony to her artistic capacity."

Rockabilly Salute To The Pin-up Girls HD

Rockabilly is one of the earliest styles of rock and roll music, dating to the early 1950s.

The term "rockabilly" is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style's development. Other important influences on rockabilly include western swing, boogie woogie, and rhythm and blues. While there are notable exceptions, its origins lie primarily in the Southern United States.

The influence and popularity of the style waned in the 1960s, but during the late 1970s and early 1980s, rockabilly enjoyed a major revival of popularity that has endured to the present, often within a rockabilly subculture.

There was a close relationship between the blues and country music from the very earliest country recordings in the 1920s. The first nationwide country hit was "Wreck of the Old '97", backed with "Lonesome Road Blues", which also became very popular. Jimmie Rodgers, the "first true country star", was known as the "Blue Yodeler", and most of his songs used blues-based chord progressions, although with very different instrumentation and sound from the recordings of his black contemporaries like Blind Lemon Jefferson and Bessie Smith.

During the 1930s and 1940s, two new sounds emerged. Bob Wills and his Texas Playboys were the leading proponents of Western Swing, which combined country singing and steel guitar with big band jazz influences and horn sections; Wills's music found massive popularity. Recordings of Wills's from the mid 40s to the early 50s include "two beat jazz" rhythms, "jazz choruses", and guitar work that preceded early rockabilly recordings. Wills is quoted as saying "Rock and Roll? Why, man, that's the same kind of music we've been playin' since 1928!... But it's just basic rhythm and has gone by a lot of different names in my time. It's the same, whether you just follow a drum beat like in Africa or surround it with a lot of instruments. The rhythm's what's important."

After blues artists like Meade Lux Lewis and Pete Johnson launched a nationwide boogie craze starting in 1938, country artists like Moon Mullican, the Delmore Brothers, Tennessee Ernie Ford, Speedy West, Jimmy Bryant, and the Maddox Brothers and Rose began recording what was known as "Hillbilly Boogie", which consisted of "hillbilly" vocals and instrumentation with a boogie bass line.

The Maddox Brothers and Rose were at "the leading edge of rockabilly with the slapped bass that Fred Maddox had developed". Maddox said, "You've got to have somethin' they can tap their foot, or dance to, or to make 'em feel it." After World War II the band shifted into higher gear leaning more toward a whimsical honky-tonk feel, with a heavy, manic bottom end - the slap bass of Fred Maddox. "They played hillbilly music but it sounded real hot. They played real loud for that time, too..." The Maddoxes were also known for their lively "antics and stuff." "We always put on a show... I mean it just wasn't us up there pickin' and singing. There was something going on all the time." "...the demonstrative Maddoxes, helped release white bodies from traditional motions of decorum... more and more younger white artists began to behave on stage like the lively Maddoxes." Others believe that they were not only at the leading edge, but were one of the first Rockabilly groups, if not the first.

Zeb Turner's February 1953 recording of "Jersey Rock" with its mix of musical styles, lyrics about music and dancing, and guitar solo, is another example of the mixing of musical genres in the first half of the 1950s.

Bill Monroe is known as the Father of Bluegrass, a specific style of country music. Many of his songs were in blues form, while others took the form of folk ballads, parlor songs, or waltzes. Bluegrass was a staple of country music in the early 1950s, and is often mentioned as an influence in the development of rockabilly.

The Honky Tonk sound, which "tended to focus on working-class life, with frequently tragic themes of lost love, adultery, loneliness, alcoholism, and self-pity", also included songs of energetic, uptempo Hillbilly Boogie. Some of the better known musicians who recorded and performed these songs are: the Delmore Brothers, the Maddox Brothers and Rose, Merle Travis, Hank Williams, Hank Snow, and Tennessee Ernie Ford.

Curtis Gordon's 1953 "Rompin' and Stompin' ", an uptempo hillbilly-boogie included the lyrics, "Way down south where I was born, They rocked all night 'til early morn', They start rockin', They start rockin' an rollin'."

Gil Elvgren Pin-up Girls