Saturday, March 9, 2013
Ring Flash Portraiture - LIVE Photoshoot
Ringflash is not just for macro - and not just on camera. You can create a great beauty dish type effect too. Here I show using the Orbis Ringflash on a manual Yong Nuo flash.
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Featuring Tina Yong
Find out about the Orbis here: http://enlightphotopro.com
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SUPPORT TNG - buy your gear using these links:
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Friday, March 8, 2013
Ray Charles - A Song For You (Photo Slideshow) HD
Ray Charles Robinson (September 23, 1930 -- June 10, 2004) was an American musician known as Ray Charles (to avoid confusion with champion boxer Sugar Ray Robinson). He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles "the only true genius in show business," although Charles never believed that about himself.
The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues, barrelhouse and stride piano styles.
Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004, and number two on their November 2008 list of "100 Greatest Singers of All Time". In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley.
Thursday, March 7, 2013
R.E.M. - Losing My Religeon (Black & White Photography Slideshow) HD
"Losing My Religion" is a song by the American alternative rock band R.E.M. The song was released as the first single from the group's 1991 album Out of Time. Based around a mandolin riff, "Losing My Religion" was an unlikely hit for the group, garnering heavy airplay on radio as well as on MTV due to its critically acclaimed music video. The song became R.E.M.'s highest-charting hit in the United States, reaching number four on the Billboard Hot 100 and expanding the group's popularity beyond its original fanbase. It was nominated for several Grammy Awards, and won two for Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video.
R.E.M. guitarist Peter Buck wrote the main riff and chorus to the song on a mandolin while watching television one day. Buck had just bought the instrument and was attempting to learn how to play it, recording the music as he practiced. Buck said that "when I listened back to it the next day, there was a bunch of stuff that was really just me learning how to play mandolin, and then there's what became 'Losing My Religion', and then a whole bunch more of me learning to play the mandolin."
Recording of the song started in September 1990 at Bearsville Studio A in Woodstock, New York. The song was arranged in the studio with mandolin, electric bass, and drums. Bassist Mike Mills came up with a bassline inspired by the work of Fleetwood Mac bassist John McVie; by his own admission he could not come up with one for the song that was not derivative. Buck said the arrangement of the song "had a hollow feel to it. There's absolutely no midrange on it, just low end and high end, because Mike usually stayed pretty low on the bass." The band decided to have touring guitarist Peter Holsapple play acoustic guitar on the recording. Buck reflected, "It was really cool: Peter and I would be in our little booth, sweating away, and Bill and Mike would be out there in the other room going at it. It just had a really magical feel." Singer Michael Stipe's vocal was recorded in a single take. Orchestral strings, arranged by Mark Bingham, were added to the song by members of the Atlanta Symphony Orchestra at Soundscape Studios in Atlanta, Georgia in October 1990.
The Birds - Turn! Turn! Turn! (Photo Slideshow) HD
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song adapted entirely from the Book of Ecclesiastes in the Bible (with the exception of the last line) and put to music by Pete Seeger in 1959. Seeger waited until 1962 to record his own version of it, releasing the song on his The Bitter and the Sweet album on Columbia Records.
The song became an international hit in late 1965 when it was covered by the American folk rock band The Byrds, reaching #1 on the Billboard Hot 100 chart and #26 on the UK Singles Chart. Many biblical scholars believe that Ecclesiastes 1:1 implies King Solomon (born c. 1011 BC) as the book's author[citation needed], but regardless of its precise origins, The Byrds' version of the song easily holds the record for the number 1 hit with the oldest lyrics.
The lyrics are taken almost verbatim from the Book of Ecclesiastes, as found in the King James Version (1611) of the Bible[2](Ecclesiastes 3:1), though the sequence of the words was rearranged for the song. Ecclesiastes is traditionally ascribed to King Solomon.
To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, a time to reap that which is planted;
A time to kill, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sow; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.
The Biblical text posits there being a time and place for all things: laughter and sorrow, healing and killing, war and peace, and so on. The lines are open to myriad interpretations, but as a song they are commonly performed as a plea for world peace, with an emphasis on the closing line: "a time for peace, I swear it's not too late." This line and the title phrase "Turn! Turn! Turn!" are the only parts of the lyric written by Seeger himself.
The song is notable for being one of a few instances in popular music in which a large portion of scripture is set to music, other examples being The Melodians' "Rivers of Babylon", Sister Janet Mead's "The Lord's Prayer", and U2's "40".
The song was published in illustrated book form by Simon & Schuster in September 2003, with an accompanying CD which contained both Seeger and The Byrds recordings of the song (ISBN 0689852355 & ISBN 978-0-689-85235-0). Wendy Anderson Halperin created a set of detailed illustrations for each set of opposites which are reminiscent of mandalas. The book also includes the Ecclesiastes text from the King James version of the Bible.
Handwritten lyrics to the song were among the documents donated to New York University by the Communist Party USA in March 2007.
45% of the royalties for the song are donated to the Israeli Committee Against House Demolitions, because, in Seeger's own words, "[in addition to the music] I did write six words."
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